The Cylindrical Lattice Model of Quadernity

We set out in this post to expand our exploration of Quadernity by introducing a colorful Cylindrical Lattice model.

At present, quantum physicists are puzzled by the non-linear behavior of sub-atomic particles, while classical physicists complacently follow the rules of linear cause and effect trajectories.  Physicists in the latter camp are constrained by empiricism at the macro-scales and reductionism at micro-scales, while Quantum physicists, who allow maths to suggest anomalous behavior among unseen quanta, are surrounded by a swampy moat containing horrid creatures like the infinity, the singularity, uncertainty, acausal synchronicity, irrational numbers, teleology, chaos, complexity, and OH MY conscious observers!

Our inspired little Lattice model will become a home-grown map of Quadernity that walks us through how systemic non-linearity correlates with the apparently linear trajectories of physical entities, supposedly pushed around, and pulled upon, by various forces within the space-time of our common senses.  The Cylindrical Lattice will enable us to zoom out our perspective to encompass a multi-dimensional array of influences that impact all of us and entities/systems everywhere, from micro to macro scales.

From our now familiar chalkboard-grid, coupled with our understanding of the universal dynamics between contiguous dimensions, Pull * Transition * Push * Rest, or PTPR, we transform the original Quadernity Model, with its two-by-two angularity, into a lovely Lattice with fluid curves.

We will go easily, step-by-step.  No worries…it’ll be fun!

Allowable Adjustments

In order to account for the non-linear, inter-dimensional dynamism, which actually spans the living universe, we must make some modifications to the flat grid model of quadrants (not to the principle of Quadernity).

Algebraic equations solve for the unknown variable by performing the same adjustments to the terms on each side of the = sign.  Permitted adjustments include:

  • adding or subtracting the same value to or from both sides of the equation
  • multiplying or dividing by the same value on both sides
  • taking square roots of both sides
  • squaring the values on both sides of the equation


working-ps-5-001In just the same way that we make adjustments to an algebraic equation in order to solve for an unknown variable, we are allowed to alter how we visually model Quadernity in order to reveal otherwise hidden aspects and to give it broader applicability.  It is fair to revise our models, just so long as the fundamental dynamics of Quadernity are explicitly maintained.

Quick Refresher

Before we commence making careful adjustments to our Quadernity Model, it may be helpful to refresh our memories on a few points of interest that we explored in earlier chapters.

Every feedback loop, joining contiguous dimensions throughout the supreme scheme, has at its core, a couple of cooperative Subjects who perform coordinated rounds of PTPR, as seen in the two-by-two grid of our original Quadernity Model:

chalkboard-slides-21-001In the graphic above, it is recognizable that, as energy is OUTformed by the Female as Corporeal content (LRQ), it becomes potentially INformative to an Informable Male Consciousness (LLQ).

The green and blue diagonal arrows Transition between the physical domain (lower quadrants) and metaphysical domain (upper quadrants).

In the chalkboard graphics below, we carry the opposition of blue and green arrows on the diagonals.  The black-dashed arrows, which move retrograde to the colored arrows, are now added.  In other words, the blue arrow running upward diagonally in the left graphic is countered by a black dashed arrow running downward diagonally in the right graphic.

Chalkboard Visions 45 46.002 Chalkboard Visions 45 46.001

The black-dashed arrows appear to move retrograde back to a previous position; however, the return is to the state of Rest, not to a place where the Subjects once occupied.  The arrows indicate that the Subjects re-set their respective potentials in the interval/Rest between cycles of activity.  The reset makes another Pull possible and allows for the possibility of an ongoing feedback process.

PTPR table.001The Female Pull initiates the full cycle (360 degrees).  Before the Female Pulls, and after She Pushes, She is at Rest.  Before the Male Pulls, and after He Pushes, He is at Rest.

We learned from the PTPR chapter, that, in piggy-back fashion, the actions of Female and Male are offset by 180 degrees, so their Pulls and Pushes align and their Transitions and Rests align, as shown above.

To focus on the continuity of feedback, we begin transforming the angular 2-by-2 Quadrants into a fluid new Lattice Model, in which we illustrate the Subjects’ PTPR in the form of sine-waves.

The sine wave is not a singular thing.  It is necessarily a composition of bi-level actions performed by dynamically involved partners.

The Subject moves forward to be ready to Pull what is Pushed by the companion.  As this is not commonly understood, few are looking for the Rests that are invisibly situated behind the actions of the opposite color.

Behind the blue lines there are green rests and behind the green lines there are blue rests.  We must skew the waves to see this.

Does this figure look familiar?  Ah, yes, the double helix that is the form of cellular DNA, the carrier of blueprints, which Structure our bodily Substance.

For ease of visibility, we transform the figure above into the figure below, while keeping all the dynamics precisely the same.  Pulls and Pushes make their Ex-Changes across the median axis, while Transitions and Rests, occurring synchronously, are shown as the wave amplitude and base line.

We simply flattened the alternating Rests and now they appear as a horizontal axis.  The Rests are the equilibrium that prevails unchanged at at the base of all transient actions.

Can you find the figure above in these ancient illustrations below?  (Hint: You may have to imagine its orientation rotated from horizontal to vertical.)

For Tarn 15.001Ancient artists’ deep appreciation of the form known as a double helix is evident in the illustrations above.  Centered within the opposing spirals, whether depicted or implied, is a core of stability.  This Axis Mundi is composed of the alternating Rests that punctuate the opposing partners’ actions, Pull * Transition * Push.  The Pulls and Pushes of the interacting couple meet at the sine wave’s medial axis to functionally conjoin their contiguous dimensions.

Breathing is a Complex Process

When we pay attention to our breaths, one thing we easily recognize is that our individual breaths continue sequentially.

Devi-ations Numberline Slides.001Inhalation Pulls O2 inward and down into the lungs, and exhalation Pushes CO2 upward and out; between there is a Transition (seen at the troughs below).  Between the Exhalation that completes one breath and the Inhalation that begins the following breath, there is a palpable Rest (seen as the horizontal dashed line).

We do not immediately exhale the air that we just inhaled.  If that were so, what good would it do for us to breathe?  The oxygen we take in must oxygenate our cells.  When the cells import oxygen, they export deoxygenated gas, rich in CO2.  In other words, the CO2 delivered back to the lungs for exhalation was a byproduct of the previous breath, not the current breath.

How did the Transition convert the O2 that we inhaled into the CO2 that we exhaled?

Air is Pulled, Transitioned and Pushed by the Female, as depicted above with green lines.  We could think of the blue lines (seen below) as the air; however, the air itself does no action on its own; it is not a Subject who Pulls, Transitions and Pushes.  Therefore, the blue lines should not represent the air; instead they should represent a Male Subject who is actively participating in the process of exchanging gases.

Individually trace the green and blue sine-wave curves below.  At the Male peaks and Female troughs there is a Transition.

Depicted in the Pragmatic Schematics below (one Female and the other Male), this Transition is called an Intra-Change.

The images above show Pulls at the left of the Pragmatic Schematic and Pushes at the right.  We are reminded of a couple of magnets, situated side by side.

What we want to do now is to put the two magnets together, the green Female alongside the blue Male, as if together they form a single magnet that Pulls from the Female end and Pushes at the Male end.

Now we can illustrate this combination unit in a PS, as shown below.

Note that in the central almond-shaped ‘mandorla’ we now have an Ex-Change rather than an Intra-change.  The Intra-changes are the Transitions, one Female and one Male.  They have been moved into the outer crescents.

Another way of thinking of the connected magnets is to see them as a torus, the shape below.

The torus is a symbol suggestive of how the Male and Female are singled-out and linearly related in their Public Daytime Relationship (center of torus where Female Pushes/Male Pulls) and how their Rests are mingled-in in their non-linear Private Nighttime Relationship (the interconnected web, into which the Male Pushes, and from which the Female Pulls).

Let us now examine the torus above in light of cardio-pulmonary respiration in which the heart and lungs are entwined.

Begin with the Female Pull (left side of the torus).  As Subject of the Circulatory system, She inhales/Pulls oxygen-rich air from beyond Her body, as depicted by the torus’s web, in which all gasses are mingled in.  She Transitions/Intra-Changes the oxygen into the blood and sends it over to the heart, which then circulates/Pushes the oxygenated blood, via arteries and capillaries, to the most distant cells in Her body.

Reprinted for your convenience:Inside the torus, the Male Subject of the pulmonary system Pulls from the Female‘s Push.  The cells of the body/Female have expelled/Pushed deoxygenated gas into the blood and returned it to the lungs.  The Male Pulls the CO2-rich gas from the blood in the heart, Intra-Changes it over to the lungs, after which He exhales/Pushes the waste-gas out of the body (right side of the torus).

In each cycle there are two Ex-changes and two Intra-changes.  Ex-changes are between the Subjects as they Pull from and Push toward each other.  Intra-changes involve their own internal Transitions, which occur while their partner Rests.

In the graphic below, the stars outlined in black show the Intra-Changes.  Green star outlined in black indicates the Female‘s Transition and the blue star outlined in black indicates the Male‘s Transition.

The green star outlined in blue indicates an Ex-Change from Male to Female.  The blue star outlined in green indicates an Ex-Change from Female to Male.

dan-johnson-4-5-001Walter Russell said in his book, The Secret of Life:

The two points … which are the fundamentals of every cycle are: the point of beginning at the wave axis [Ex-Changes], and the point of interchange between positive and negative opposites at the wave amplitude [Intra-Changes].

Walter Russell identifies the points on the axis and at the amplitude.  Quadernity shows that both the Female and the Male have these two points, making a total of four fundamental points.

Comparing Closed and Open Systems

Compare the open feedback system (left below), which perpetuates life, to a closed feedback loop (right below) that quickly dies out:

for-michael-holroyd-106-001As an open system, our breathing can be seen as a progression, shown by the illustrations on the left above.  The closed system on the right shows what would happen if we were to inhale only our own exhalations: we would soon die out, just as surely as a pendulum returns to equilibrium.

Open, Multi-Dimensional Systems

From the word ‘spirit’ is the root word, spire, found in the words inspire and expire.  Spirit means breath or wind.

When we count our breaths, beginning with a Pull/inhalation at birth/inspiration, and ending with the Push/exhalation at death/expiration, we must include the exchange of gasses with our environment.  Our breathing is both open (ongoing) and multi-dimensional.

A new question is brewing.

Q: How does the environment acquire the O2 that we naively take for granted?

A: O2 is released into the atmosphere by plants as they go through a process called photosynthesis.

The graphic below allows us to account for interactivity between additional levels, such as photosynthesis.  Follow the brown arrow from bottom to top.

Please notice the following factors in the graphic above:

  1. We have labeled alternating Female and Male sequences of  Pull * Transition * Push, just as they always interact in Quadernity.
  2. The bottom blue half-wave connects to the top blue half wave. Altogether there are two X-shaped iterations of each, blue Male and green Female.
  3. Occurring within the intersections of each color is a Transition.  The labels reveal different functions at each Transition up the ladder.
  4. Only one side of each half-wave has been labeled, so far.

What is happening on the other side of the half-waves?  Another process is similarly sequenced.  In addition to their exchange of gasses, flora and fauna are also related by their exchange of nutrients.  The layout below shows this exchange.  Follow the brown arrow from top to bottom to see that this process is also open and multi-dimensional.

PTPR Progresses Linearly and Non-Linearly

Two consecutive breaths are depicted below, enclosed in overlapped circles.  This image serves as a reminder that PTPR advances linearly/horizontally, as well as non-linearly/diagonally.

dan-johnson-45-002In the graphic below, we have highlighted the entire linearly-advancing sine wave (both halves: green/physical and blue/environmental) within a non-linear progression.  Please follow the labels to verify that PTPR reiterates in either case, both horizontally and diagonally.

dan-johnson-6-001-1The full sine wave (bolded above) is incomplete as a metaphor for breathing, as it divulges neither the exchange of gasses within the body nor the exchange of gasses between the plants and the environment beyond the body.

Exquisitely apparent is the non-linear aspect of breathing, which involves numerous dimensions (faded lines) that interconnect along the diagonals.

Where are the Rests in Multi-Dimensional sequences?  A Rest comes after a Push (which ends a series of actions) and before a Pull (which initiates the next series of actions).  Follow along the diagonal paths marked by the brown arrows to see that the Rests of one process (you do not see that color) are obscured/overshadowed by the triple actions (Pull * Transition * Push) performed by the opposite process (the color you do see).

Just because the Rests are hidden does not mean they are not there.  Not knowing they are there means not asking where they must be, and this prevents many a scientist from achieving a breakthrough discovery.  :/

The Life Lattice: A New Depiction of Quadernity

Appreciate, in each of the images below, the artistry symbolizing the entwined opposition of two complementary forces, archetypally represented as the primal Mother and Father.

DNA-molecule Astana - Nécropole - Nagas - Version 2 spiral galaxy

malefemalecontinuum malefemale - Version 3

The double helix comprises loops of two inverse, nonlinear systems, which feed into each other.

To account for the reiteration of dual, complementary cycles of PTPR, such as the means by which flora and fauna exchange gasses and nutrients, we arrive at the Life Lattice Model below.

lattice-sine-wave-15-18-004Please take your time to follow along both of the pathways.  The black arrow-heads indicate the direction of Pushes and Pulls between the two colored partners.  At the Transitions, which occur within the same color, move diagonally from right to left or vice versa.  At the wave’s peaks and troughs, the Life-Lattice connects non-linear dimensions to the linearly advancing dynamic.

You will recognize that both paths, up and down, follow diagonals that slant to the right, showing their mutual progression.  The two processes, however, move inversely; one moves from the top downward on the diagonal, and the other moves from the bottom upward on the diagonal.

The blue half-wave at the bottom of the Lattice connects to the blue half-wave at the top of the Lattice.  By connecting them, we form a cylindrical tube of sorts.  The short video demonstrates how the diagonal movements are a spiral progression.

The tube shown is an incomplete section.  As you can surmise, the spiraling diagonal arrows continue their progression indefinitely.

This Lattice Model of Quadernity maintains, from our original two-by-two model of Quadernity, the functional interchanges between opposing cooperatives (shown as color-coded wave-forms).  Added are the features of dimensionality and reiteration, which are necessary to reflect real-world dynamical interactions.

At its essence, this new Lattice Model of Quadernity reveals a profound generality: that our universe both OUTforms fractally and INforms holographically.

Complexity in Dynamical Systems

Should we suspect this degree of complexity in other dynamical systems?  Given the examples on this post, the planting and harvesting seasons, as well as the metamorphic phases of the Lepidopteran, we may lean toward the affirmative.

Because the water and rock cycles, discussed in the chapter, Pull * Transition * Push * Rest, are ongoing, we must recognize in them that micro and macro influences Transition into their own meso-cycles of PTPR.

Transitions are not a one-way exchange; therefore, the meso-level both affects, and is affected by, the up-line dimensions (above/outside) and the down-line dimensions (below/inside).

The ancient Emerald Tablet of Hermes proclaims:

Truth! Certainty! That in which there is no doubt!

That which is above is from that which is below, and that which is below is from that which is above, working the miracles of one.

As all things were from one.

From the microscopic level of our cells, to the macroscopic level of our solar system, there exists dynamic interactivity.  This big loop of interrelated dimensions shows an hierarchical arrangement of corporeal phenomena.

working keynote 21.001The purple arrows in the flow chart form a loop from the micro/subatomic to the macro/cosmic, and back.  Along with the elephant, we and other earthly critters are about halfway between the micro and macro scales.  Relative to the spectrum of all corporeal existence, the meso-scale includes the totality of life on earth.

For reference, a human toddler stands about three feet tall; that is one meter.  The Planck unit is the limit for the smallest size (1.6 x 10^-35 meters) of any discrete thing.  And, our known universe (8.8 x 10^26 meters) is the biggest measured thing.  An intriguing article, written on this topic by a student from UCSC, can be read here.

Within this meta-loop are countless feedback loops, like the seasons of our year, or the water and rock cycles.  Loops within loops within loops…

Perhaps you are musing that I am kinda loopy.  Ha, ha.  I admit it; the truth is we all are!  Without our many layered loops, our consciouscorporeal lives would be impossible.

What follows is a famous video from 1977 that traces, by powers of ten, from our human scale to the infinitesimal and back up and outward to the cosmic level.  If you have not seen this previously, you are in for a treat:

Having firmly grasped the notion that countless other dimensions exist between the gross representations of varying scales that are pictured above in the graphic with the purple loop, such as cells, tissues, body systems and organisms, we may come to wonder, “Are various degrees of consciousness (impossible to illustrate) similarly hierarchical?”

The Tao te Ching says that even darkness, or what is not perceptible to us, is nested hierarchically:

Darkness within darkness, the gateway to all mystery.

What is sub-sensible to us humans (who reside halfway around the purple loop) may be quite sensible to our cells earlier on the loop.  And, what are to us, as individuals, supra-sensible signals, can evoke statistically predictable behaviors among crowds of us, or communities, or ecosystems, further around the loop.

Linear Trajectories are Abstractions

Sine waves provide a clue that singled-out entities comprise two aspects that oscillate around a core ground state in which they are mingled-in.

Each aspect is in feedback with the other, thereby allowing for a continuous flow of becoming.

Of a particular trajectory’s two aspects, one is measurable or physical (green), while the other is transcendent (beyond the physical), or metaphysical (blue), and often goes unnoticed.

In your mind’s eye, can you visualize the sine wave that alternates between any two contiguous levels/dimensions, such as consciousness and corporeality, joining the two and carrying them onward, sustaining them into the future?

In this chapter about the Lattice Model of Quadernity, we explored how a single entity can appear to have a measurable trajectory, only by disregarding all the influences within and beyond it, without which, of course, it would not exist.

Taking the wave-particle duality of light as an example, ask yourself, “Can the trajectory of a single photon ever exist without its metaphysical wave?”

A Couple of Gifts for Hanging In to the End!

Please allow the aesthetic of Moorish tiles and lanterns to bespeak the beauty of our brand-new Lattice model.

img_2775-1 img_2814

And, here is a lovely little video (only 4 mins.) explaining the sacred geometry of Islamic patterns, such as those above.  May the profound symmetry of this ancient art touch your heart and inspire your soul.

In upcoming chapters we will continue to build new models to elucidate their implications in human scale, and as above, so below

First, we must insure The Equivalency of Primary Models of Quadernity.

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